Producing realistic baby bumps, placentas and prop babies, Cinebaby are working to improve the representation of maternity in film and television.
By Ralph Jones
Dan Perri, the man behind some of the film world's most iconic credits sequences, reflects on half a century of his work.
Alan Dean Foster, who has adapted the likes of Alien and Star Wars for the page, explains the highly specific art of transforming sci-fi epics into page-turners.
The four time Oscar-winner talks her formative connections with Stanley Kubrick and how she’s able to fulfil Wes Anderson’s unique aesthetic visions.
David J. Peterson, who has worked on Game of Thrones and Dune, reveals the secrets behind creating the languages which bring fantasy worlds to life.
The head of the hair department on Damien Chazelle's Babylon explains how the team defied convention in order to create a fresh vision of the roaring twenties.
For rope access and rigging expert Ollie Laker, filming high above the trees is just another day at the office.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
