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Three people walking through a dense, overgrown landscape surrounded by tangled branches and foliage.
Review

28 Years Later review – Danny Boyle is finally back

by David Jenkins

Dan­ny Boyle kick­starts a new zom­bie tril­o­gy with this gen­uine­ly anar­chic explo­ration of iso­la­tion­ism with superb turns from Jodie Com­er and Aaron Tay­lor Johnson.

2
Anticipation
4
Enjoyment
3
In Retrospect
Bearded man and woman embrace passionately, their faces close together.
Review

The Return review – skirts on the am-dram

by David Jenkins

Ralph Fiennes and Juli­ette Binoche star as Odysseus and Pene­lope in Uber­to Pasolin­i’s retelling of Home­r’s epic.

4
Anticipation
3
Enjoyment
3
In Retrospect
Ralph Fiennes in Conclave, standing in an ornate red and gold liturgical vestments, surrounded by other clergy in similar attire.
Review

Conclave review – a slick romp with delusions of grandeur

by David Jenkins

A pow­er strug­gle at the heart of the Catholic church is the con­ceit for Edward Berg­er’s quite sil­ly papal drama.

4
Anticipation
3
Enjoyment
3
In Retrospect
An elderly man wearing a grey suit stands between two younger men in white coats, with other people visible in the background of a hospital setting.
Review

The Wonderful Story of Henry Sugar review – Dahl lovingly brought to life as only Anderson knows how

by Hannah Strong

Wes Ander­son adapts a Roald Dahl short sto­ry with his sig­na­ture atten­tion to detail and visu­al panache.

4
Anticipation
4
Enjoyment
4
In Retrospect
Two people at a formal dinner, man in white tuxedo, woman in pink dress, standing and speaking.
Review

The Menu

by David Jenkins

Mark Mylod’s one-dimen­sion­al dark com­e­dy serves up an under­cooked feast of pro­found­ly smug commentary.

4
Anticipation
1
Enjoyment
1
In Retrospect
Woman wearing sunglasses, white top and jewellery, in a desert landscape.
Review

The Forgiven

by Josh Slater-Williams

Jes­si­ca Chas­tain and Ralph Fiennes are unhap­pi­ly mar­ried in John Michael McDon­agh’s unin­spired cul­ture clash drama.

3
Anticipation
3
Enjoyment
2
In Retrospect
Two people, a man and a woman, standing in front of a blue car at night. The man has grey hair and is wearing a light blue shirt, while the woman has blonde hair and is wearing a beige blouse.
Festivals

The Forgiven – first-look review

by Saffron Maeve

Jes­si­ca Chas­tain and Ralph Fiennes spend a fate­ful week­end in Moroc­co in John Michael McDonagh’s scabrous class satire.
A woman with blonde hair standing in front of a rocky outcrop, wearing a cream-coloured blouse and skirt.
Review

The Dig

by David Jenkins

Carey Mul­li­gan shines in this dour arche­o­log­i­cal dra­ma on the dis­cov­ery of the Sut­ton Hoo his­tor­i­cal payload.

3
Anticipation
3
Enjoyment
3
In Retrospect
Hands in prayer position with a ring on one finger against a dark background with a blurred object above.
Incoming

Peek into the UK’s secret history in The King’s Man trailer

by Charles Bramesco

Ralph Fiennes and Har­ris Dick­in­son star in the espi­onage prequel.
Three men in a dance studio, one wearing a waistcoat, practising ballet positions with raised arms.
Review

The White Crow

by Matt Thrift

Ralph Fiennes directs this staid biog­ra­phy of bal­let mae­stro and polit­i­cal dis­si­dent, Rudolf Nureyev.

3
Anticipation
2
Enjoyment
2
In Retrospect