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Two men seated at a wooden table, surrounded by verdant plants visible through the windows.
Review

Pacifiction

by David Jenkins

The Poly­ne­sian island of Tahi­ti rep­re­sents a trop­i­cal pur­ga­to­ry for the French colonists in Albert Serra’s apoc­a­lyp­tic polit­i­cal thriller.

4
Anticipation
4
Enjoyment
4
In Retrospect
Painting of a man with red-blond hair and a beard, wearing a dark suit, looking contemplative against a colourful abstract background.
Interviews

Albert Serra: ‘What am I trying to say, I don’t know. I just create images’

by Caitlin Quinlan

The loqua­cious Span­ish mae­stro picks apart the process of his break­through fea­ture of polit­i­cal malaise in the South Seas, Pacifiction.
Man with dark hair wearing a light-coloured suit, looking serious.
Incoming

Albert Serra wishes you were here in the tropical trailer for Pacifiction

by Charles Bramesco

French Tahi­ti becomes a pic­turesque pur­ga­to­ry for a colo­nial­ist offi­cial in Ser­ra’s panoram­ic latest.
Man with dark hair wearing a light-coloured suit, looking serious.
Festivals

Pacifiction – first-look review

by David Jenkins

Albert Ser­ra returns with an apoc­a­lyp­tic saga set in Tahi­ti in one of his most accom­plished and mature films to date.