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Three men in casual attire sitting on the pavement outside a building, in a black and white image.

A new version of The Magnificent Ambersons restores Welles’ vision

by Adam Woodward

Lost scenes from the director’s ill-fat­ed sec­ond fea­ture are being recon­struct­ed with animation.
Illustration of a bespectacled man reading a book in a room filled with bookshelves and magazines.
Interviews

It’s All True: A Conversation with David Fincher

by David Jenkins

The mas­ter film­mak­er behind Mank on Orson Welles, Pauline Kael and real­is­ing a pas­sion project after a 30-year wait.
Black-and-white image shows a woman tenderly stroking the face of an older man with a long, shaggy beard and intense gaze.
Top Ranking

The films of Orson Welles – ranked

by David Jenkins, Matt Thrift, Adam Woodward

From Cit­i­zen Kane to The Oth­er Side of the Wind, we sur­vey the direc­to­r­i­al canon of a cin­e­mat­ic titan.
Man in suit standing in front of a large wooden sculpture of a figure in a robe, against a cloudy sky background.
Incoming

David Fincher returns to cinemas with first images from Mank

by Charles Bramesco

His first fea­ture in six years chron­i­cles the ten­sions between Orson Welles and Her­man J Mankiewicz on Cit­i­zen Kane.
Glass and steel building with large numbers on the facade, reflecting the sky and clouds. Crowds of people walking in front of the building.
Incoming

The BFI brings classics to the States with a new streaming channel

by Charles Bramesco

The British Film Institute’s ser­vice fea­tures work from Orson Welles, Nico­las Roeg and more.
Two people in a formal setting, one wearing a suit and the other a high-necked dress, both looking at each other intently.
Home Ents

The troubled genius of Orson Welles’ The Magnificent Ambersons

by Adam Scovell

The director’s final pic­ture for RKO suf­fered from severe cuts, but still retains his gold­en touch.
Black and white image of a man in a suit and hat sitting at a table with a woman in traditional dress, likely 1930s or 1940s setting.
Review

The Eyes of Orson Welles

by David Jenkins

Mark Cousins returns with an essay fea­ture on the doo­dles and drafts­man­ship of Orson Welles.

4
Anticipation
3
Enjoyment
3
In Retrospect
Stern-faced man in cowboy hat and suit, gazing intently in black and white.
If You Like...

Five essential Orson Welles films for each decade of his career

by Adam Scovell

Revis­it­ing the icon­ic director’s work every 10 years, from Too Much John­son to Touch of Evil.
A man with a grey beard wearing a hat and gloves, gesturing with his hand in a dimly lit environment.
In Praise Of

In praise of Orson Welles’ F For Fake

by Phil Concannon

Come and see the mae­stro’s final big trick on a 35mm print at the ICA cin­e­ma with MUBI and Lit­tle White Lies.
Yellow circular light with "LIGHT SHOW #1" text. Image shows an elderly man's face in a blue-tinted, grainy illustration style.
MUBI presents

LWLies X MUBI X ICA presents… A weekend of 35mm movie magic

by Little White Lies

Join us at ICA Lon­don for three days of cel­lu­loid mir­a­cles, includ­ing films by Orson Welles and Agnés Varda.