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Woman with round glasses, curly hair, and serious expression in conversation with another person.
In Praise Of

Why I love Liv Ullmann’s performance in Autumn Sonata

by Matt St Clair

As she receives an hon­orary Acad­e­my Award, we cel­e­brate Liv Ullmann’s lead turn in an Ing­mar Bergman classic.
A man with a beard embracing a woman with long hair, both sitting on a bed.
Incoming

Jessica Chastain and Oscar Isaac spar in the Scenes From a Marriage trailer

by Charles Bramesco

Ing­mar Bergman’s mas­ter­piece, said to increase Sweden’s rate of divorce, is get­ting a sec­ond life on TV cour­tesy of HBO.
Two well-dressed individuals, a woman in a patterned jacket and a man in a suit, seated at a restaurant table with tableware and drinks.
Incoming

See Jessica Chastain and Oscar Isaac in HBO’s Scenes from a Marriage

by Charles Bramesco

The Affair cre­ator Hagai Levy will update Ing­mar Bergman’s rela­tion­ship dra­ma for 2021.
Close-up black-and-white portrait of a man with a thoughtful, melancholic expression
In Praise Of

Why I Love Max von Sydow’s Performance in Shame

by Adam Scovell

The Swedish-born actor is at his trans­fix­ing best in Ing­mar Bergman’s 1968 drama.
Two people in dark coats sit on rocks in a forested setting, with one person operating a large camera.
Review

Bergman: A year in a Life

by Phil Concannon

This con­sum­mate doc­u­men­tary sheds new light on the life and career of the late Swedish master.

3
Anticipation
4
Enjoyment
4
In Retrospect
Affectionate couple embracing outdoors, man in olive jacket, woman in knitted hat
Review

The Touch (1971)

by David Jenkins

Ing­mar Bergman’s first Eng­lish-lan­guage fea­ture is a lost, mid-career gem, unearthed and restored by the BFI.

3
Anticipation
4
Enjoyment
4
In Retrospect
Black-and-white portrait of a pensive man and woman seated at a table, looking contemplative.
Interviews

Face to Face: Liv Ullmann on her life with Ingmar Bergman

by Matt Thrift

The screen icon speaks can­did­ly about her remark­able career, and her com­pli­cat­ed rela­tion­ship with the late Swedish master.
A man wearing a beret looking through binoculars, in a black and white photograph.

Was Ingmar Bergman a spy?

by Gerard Corvin

There’s a fas­ci­nat­ing back­sto­ry to the Swedish master’s lit­tle-seen 1950 thriller This Can’t Hap­pen Here.
Image shows an elderly woman sitting on a wooden deck, looking out over a garden filled with flowers and greenery. The woman is wearing a sweater and slippers, and appears to be relaxing on the deck.
Journeys

Visiting Ingmar Bergman’s enchanting Swedish hideaway

by Adam Woodward

We jour­ney to Fårö, a remote island in the Baltic Sea, in search of Sweden’s enig­mat­ic master.
Two people with their faces close together, resting on each other in a tender, intimate moment.
Review

Persona (1966)

by David Jenkins

Ing­mar Bergman’s enig­mat­ic mas­ter­piece still shines with a pierc­ing inten­si­ty after 50 years.

5
Anticipation
5
Enjoyment
5
In Retrospect