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A bloodied, bandaged older man with a grave expression on his face.
Review

The Amusement Park

by Anton Bitel

George A Romero’s long-lost pub­lic ser­vice announce­ment cap­tures the inher­ent hor­rors of old age.

5
Anticipation
3
Enjoyment
4
In Retrospect
Elderly man with grey hair and glasses, wearing a blue jacket and vest, standing in a workshop setting.
Incoming

George A Romero’s unfinished final work is back on track

by Charles Bramesco

His posthu­mous swan song Twi­light of the Dead may soon enter production.
Two people in white formal attire walking among benches outdoors, surrounded by others in casual wear.

An unreleased George A Romero film addresses the effects of ageism

by Andrew Northrop

New­ly restored PSA The Amuse­ment Park is a fas­ci­nat­ing pre­cur­sor to his lat­er genre work.
Illustration depicting a person wearing sunglasses, with an abstract, wavy hairstyle. Composition uses a grid-like pattern in the background, with colours in shades of blue and grey.
Interviews

Jim Jarmusch: ‘Teenagers define our culture – Billie Eilish is a genius’

by Adam Woodward

Akron’s finest chats riff­ing on George A Romero and fear­ing for our future in The Dead Don’t Die.
Dilapidated interior with chequered floor, worn furniture, and a person standing amidst the scene.

Night of the Living Dead Live! raises Romero’s horror classic on stage

by Adam Woodward

The sem­i­nal 1968 film has been res­ur­rect­ed with a comedic twist.
A man performing on stage with a microphone, with a dark background.
Home Ents

Discover the animalistic terror of George A Romero’s first studio movie

by Anton Bitel

The genre maestro’s 1998 Mon­key Shines was dubbed ​‘An Exper­i­ment In Fear’ – and with good reason.
A group of people making exaggerated facial expressions and hand gestures, with intense, almost alarming, expressions on their faces.

Dawn of the Dead had an alternate ending that’s even bleaker than the original

by Justine Smith

George A Romero orig­i­nal­ly had a dif­fer­ent fate in store for the pro­tag­o­nists of his zom­bie classic.
A black and white portrait of a young woman with long, windswept hair and an intense gaze.
In Praise Of

Why George A Romero’s Night of the Living Dead still gets under our skin

by Adam Scovell

Released 50 years ago, the director’s lo-fi debut is filled with potent imagery and polit­i­cal resonance.
A group of people tending to a severely injured person, with blood-stained clothing and bandages visible.
In Praise Of

How George A Romero helped me to overcome an eating disorder

by Oliver Zarandi

Dawn of the Dead and Day of the Dead are films of hunger and the frus­tra­tion of bodies.
Elderly man with grey hair and glasses, wearing a blue jacket and vest, standing in a workshop setting.
Interviews

Tales From the Darkside: An interview with George A Romero

by Matt Thrift

The hor­ror mae­stro reflects on his unique and remark­able career in this pre­vi­ous­ly unpub­lished interview.