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Three people, a woman in a headscarf covering her mouth, a woman with a concerned expression, and an older man with a beard, sitting together in a dimly lit room.
Review

The Ritual review – fails to scare, entertain or convert

by Billie Walker

Al Paci­no and Dan Stevens can’t save this awful excuse for an exor­cism thriller.

3
Anticipation
2
Enjoyment
1
In Retrospect
Lavishly dressed individuals at an upscale social event, some wearing masks, in a room with striking red and orange lighting.
Review

House of Gucci

by Hannah Strong

Rid­ley Scott enlists an A‑List cast for his bom­bas­tic drama­ti­sa­tion of Mau­r­izio Gucci’s assassination.

3
Anticipation
4
Enjoyment
3
In Retrospect
Two individuals, a man and a woman, standing on a balcony overlooking a snowy mountain landscape.
Incoming

The House of Gucci trailer showcases a full range of Italian(?) accents

by Charles Bramesco

Adam Dri­ver, Lady Gaga, Jared Leto, Al Paci­no… and Jere­my Irons?! Abbondanza!
Stylised illustration of two serious-looking men in suits against a red backdrop, using bold colours and graphic lines.
Interviews

De Niro and Pacino on The Irishman and the gangsterization of US politics

by Christina Newland

Face to face with two of the great­est actors of their gen­er­a­tion, togeth­er in Mar­tin Scorsese’s mag­is­te­r­i­al mob drama.
Two men in suits sitting at a bar, glasses and bottle of alcohol on the table, framed photographs on the wall behind them.
Review

The Irishman

by Adam Woodward

A de-aged Robert De Niro takes cen­tre stage in Mar­tin Scorsese’s mus­cu­lar, melan­choly mob drama.

5
Anticipation
5
Enjoyment
5
In Retrospect
Several men engage in physical contact in a dimly lit environment.
Home Ents

How Cruising exposes the dangers of internalised homophobia

by Anton Bitel

William Friedkin’s 1980 thriller casts an unwa­ver­ing eye over New York’s gay S&M subculture.
Group of men in suits and hats, some appear to be police officers, standing in a crowded indoor setting.
Incoming

The first trailer for Martin Scorsese’s gangster epic The Irishman is here

by Charles Bramesco

Robert De Niro, Al Paci­no, Joe Pesci — what more do you want?
A middle-aged man in a military uniform with various medals and insignia, sitting on a sofa and looking directly at the camera.
In Praise Of

In defence of Al Pacino’s performance in Scent of a Woman

by Ian Mantgani

There’s some­thing deeply enter­tain­ing and mov­ing about his wide­ly ridiculed lead turn.
A smiling, well-dressed man with greying hair and a blue scarf against a colourful urban backdrop.
Review

Danny Collins

by Matt Thrift

A sap­py Al Paci­no vehi­cle reviewed via the medi­um of Heat’s icon­ic cof­fee shop tête-à-tête.

3
Anticipation
2
Enjoyment
1
In Retrospect
A man in a dark suit and coat stands on a city street, with buildings and people in the background.
Review

The Godfather: Part II (1974)

by David Jenkins

Fran­cis Ford Coppola’s mag­num opus gets a big screen out­ing, see it if only to be able to under­stand The Simp­sons better.

5
Anticipation
5
Enjoyment
5
In Retrospect