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Intense eyes, one in black and white, one in colour. Striking contrast between the two.
Video

Psycho vs Psycho – Hitchcock’s classic vs Gus Van Sant’s remake

by Leigh Singer

A side-by-side video com­par­i­son of the sem­i­nal 1960 hor­ror and its near-iden­ti­cal 1998 update.
Close-up of a man's face in warm light, with half-closed eyes and a serious expression.
Review

Piercing

by Elena Lazic

Mia Wasikows­ka and Christo­pher Abbot play wicked games in this psy­cho­sex­u­al horror.

3
Anticipation
4
Enjoyment
3
In Retrospect
Illustration of a middle-aged man with long red hair and an intense expression against a fiery background.
Interviews

Lee Chang-dong: ‘Today we are living in Murakami’s world’

by Matt Thrift

The South Kore­an mae­stro talks lit­er­ary inspi­ra­tion and his mys­te­ri­ous new psy­chodra­ma, Burning.
Two people seated on a large red beanbag chair, with a colourful abstract painting visible in the background.
Incoming

Art will kill you in the Velvet Buzzsaw trailer

by Charles Bramesco

Dan Gilroy reteams with Jake Gyl­len­haal for his urbane new psychothriller.
Man with curly hair sitting at a desk, looking intently at a device in his hands.
Not Movies

Black Mirror: Bandersnatch is a brilliant, urgent comment on mental illness

by S.L. Page

The episode’s inter­ac­tive nature has the poten­tial to expand our under­stand­ing of psychosis.
A woman with long dark hair wearing a grey hooded top looks directly at the camera with a serious expression.
Festivals

Lulz and Luz at the Soho Horror Film Festival 2018

by Anton Bitel

Tilman Singer’s intense psy­chodra­ma was among the high­lights of the inau­gur­al genre showcase.
Close-up of a frog's head emerging from water, with reflections visible.
In Praise Of

The strange, surprising legacy of Jacob’s Ladder

by Steve Timms

The influ­ence of Adri­an Lyne’s 1990 psy­cho­log­i­cal hor­ror, star­ring Tim Rob­bins and Eliz­a­beth Peña, far out­stretch­es its mod­est success.
Man in a dark suit sitting on a staircase, looking pensive.

How staircases became one of horror’s most frightening fixtures

by Emma Fraser

From Psy­cho to Netflix’s The Haunt­ing of Hill House, stairs have long played a key role in the genre.
Man with beard in red lighting, contemplative expression.
Interviews

Panos Cosmatos: ‘Nicolas Cage is a very special creature’

by David Jenkins

The Cana­di­an film­mak­er on the mak­ing of his heavy met­al psy­cho-hor­ror, Mandy, and work­ing his one of his act­ing heroes.
Three individuals seated at a table, a mural with a woman in a blue robe visible in the background.
In Praise Of

The psychosexual pleasures of David Cronenberg’s Dead Ringers

by Adam Scovell

The director’s tale of twin gyne­col­o­gists is a gory study of the rela­tion­ship between the phys­i­cal and men­tal self.