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Historic Victorian-style house with gabled roof, ornate windows, and leafless trees.
Beginnings

Beginnings: Ida Lupino’s London

by Adam Scovell

Vis­it­ing the leafy Lon­don street where the pio­neer­ing Hol­ly­wood actor and film­mak­er came of age.
Black and white image showing a crowd of people, with a large sign that reads "CHRISTOPHER ALDEA FAMILY CAMPAIGN" in the foreground.
Festivals

How filmmakers are highlighting racial discrimination in the criminal justice system

by Flora Spencer Grant

At the 64th BFI Lon­don Film Fes­ti­val, three films pro­vid­ed a time­ly addi­tion to dis­course ignit­ed by the Black Lives Mat­ter movement.
Dilapidated building with balconies against a blue sky with some birds flying.
Beginnings

Beginnings: Derek Jarman’s Bankside

by Adam Scovell

Vis­it­ing the site near South­wark Bridge in Lon­don where the late artist’s film­mak­ing career began.
Woman in a blue headscarf and floral dress standing near the sea.
Festivals

After Love – first-look review

by Leila Latif

Joan­na Scan­lan plays a Mus­lim con­vert who dis­cov­ers a secret about her hus­band in Aleem Khan’s mov­ing drama.
Silhouette of person with dreadlocks facing water at sunset
Festivals

African Apocalypse and the painful legacy of ‘Heart of Darkness’

by Leila Latif

A new doc­u­men­tary gives a voice to the silenced natives in Joseph Conrad’s colo­nial­ist novel.
A person wearing a black suit and tie, with a serious expression on their face, standing in front of a concrete wall.
Incoming

Bong Joon-ho’s early shorts are coming to the UK for the first time

by Charles Bramesco

Influen­za and Inco­her­ence will screen lat­er this month at the Lon­don Kore­an Film Festival.
Group of men in formal attire at a bar counter.
Festivals

One Night in Miami – first-look review

by Flora Spencer Grant

Four icons of African Amer­i­can his­to­ry meet in a Mia­mi hotel in Regi­na King’s promis­ing direc­to­r­i­al debut.
A man in glasses plays a piano in a dimly lit room with colourful lights.
Festivals

Soul – first-look review

by Hannah Strong

Jamie Foxx is a jazz musi­cian reck­on­ing with the after­life in Pixar’s best film in quite some time.
A large brown dog with a friendly expression, looking directly at the camera.
Festivals

Documentaries to discover at the BFI London Film Festival 2020

by Matt Turner

Eight non-fic­tion fea­tures that are well worth seek­ing out at this year’s LFF.
A serious-looking man in a dark suit and tie stands with a green scarf around his neck.
Festivals

Red, White and Blue – first-look review

by David Jenkins

John Boye­ga aston­ish­es in Steve McQueen’s explo­ration of sys­temic racism in London’s Met police force.