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Three young women sitting close together, looking pensive and thoughtful.
Festivals

September Says – first-look review

by Hannah Strong

Two sis­ters share an unshak­able bond in Ari­ane Labed’s unique­ly strange fea­ture debut.
Three women with concerned expressions, one with long dark hair, another with shorter light hair, and the third with dark hair. They appear to be in an outdoor setting against a blue background.
Festivals

The Balconettes – first-look review

by Hannah Strong

Noémie Mer­lan­t’s sopho­more fea­ture, co-writ­ten by Celine Sci­amma, is a riotous black com­e­dy set on the hottest day of the year in Marseilles.
Silhouettes of 2 people facing each other in night, against blue-tinted background with bright lights
Festivals

Beating Hearts – first-look review

by Hannah Strong

An arche­typ­al good girl meets a boy from the wrong side of the tracks in Gilles Lel­louche’s sweep­ing melodrama.
Two individuals, a man and a woman, conversing in front of a neon "BAR" sign in a dimly lit setting.
Festivals

Motel Destino – first-look review

by Rafa Sales Ross

A young enforcer for a Brazil­ian gang­ster finds him­self hid­ing out at a sleazy sex hotel in Karim Aïnouz’s neo-noir.
Couple embracing under night sky, surrounded by trees and string lights.
Festivals

All We Imagine as Light – first-look review

by Jenna Mahale

Pay­al Kapa­di­a’s first fic­tion fea­ture is a gor­geous romance, con­cern­ing the lives of two con­trast­ing nurs­es in present-day Mumbai.
A man with curly hair wearing sunglasses, a light jacket, and tie stands in front of a yellow taxi cab.
Festivals

Limonov: The Ballad – first-look review

by Isaac Feldberg

Ben Whishaw ris­es to the occa­sion of essay­ing the poet, provo­ca­teur and polit­i­cal dis­si­dent Eduard Limonov.
A group of people gathered around a vintage bus in a lush, overgrown environment, black and white image.
Festivals

Grand Tour – first-look review

by David Jenkins

A visu­al­ly rav­ish­ing if emo­tion­al­ly and the­mat­i­cal­ly opaque trav­el­ogue is the lat­est from Por­tuguese mae­stro, Miguel Gomes.
Elderly man with grey beard wearing light-coloured jacket and black shirt, seated and gesturing with hands.
Festivals

Lula – first-look review

by Rafa Sales Ross

Oliv­er Stone’s por­trait of Brazil’s beloved pres­i­dent sad­ly fails to real­ly cap­ture what it is that makes Lula da Sil­va such a gal­vanis­ing polit­i­cal force.
A woman in a long white dress standing on a balcony with lush greenery and a scenic coastal view in the background.
Festivals

Parthenope – first-look review

by Mark Asch

Pao­lo Sor­renti­no, Italy’s lusti­est work­ing film­mak­er, spins a tedious yarn about one wom­an’s oth­er­world­ly beauty.
A woman with dark hair dancing enthusiastically in a nightclub, bathed in vibrant purple and pink lighting.
Festivals

Anora – first-look review

by Sophie Monks Kaufman

A young exot­ic dancer shacks up with the son of a Russ­ian bil­lion­aire, much to the despair of his par­ents, in Sean Bak­er’s lat­est down-and-dirty dramedy.