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A group of men seated around a table in a formal setting, with one man in the foreground looking pensive.
In Praise Of

Why I love Jesse Eisenberg’s performance in The Social Network

by Victoria Luxford

The actor’s sly take on Face­book founder Mark Zucker­berg casts a spot­light on the dark side of success.
Two men in suits talking in a dimly lit, industrial-looking room with brick walls and windows.

The Sound and the Fury – 25 years of Tarantino

by Victoria Luxford

It’s a quar­ter of a cen­tu­ry since Reser­voir Dogs changed cin­e­ma for­ev­er. But how has its mak­er evolved over the years?
A screenshot showing a bank statement with financial transactions and figures.

The Accountant is another example of Hollywood’s autism problem

by Victoria Luxford

Ben Affleck’s lat­est thriller shows that main­stream cin­e­ma still hasn’t moved on from the days of Rain Man.
Silhouetted figure of a person walking alone down a dark, snowy alley; buildings and a Cinema sign visible in the background.
Steven Spielberg

Who are Steven Spielberg’s greatest artistic muses?

by Victoria Luxford

Mark Rylance is the lat­est in a list of key col­lab­o­ra­tors who bring out the best in The Beard.
Two men, one older with a beard touching the younger man's head.
In Praise Of

How Mission: Impossible set the blueprint for the modern actioner

by Victoria Luxford

Twen­ty years ago Bri­an De Pal­ma and Tom Cruise ush­ered in a new block­buster era.
A young person with dark hair contemplatively holding a hand to their mouth, in front of a background with graffiti.
Review

Victoria

by David Jenkins

Sebas­t­ian Schipper’s sen­sa­tion­al sin­gle-take thriller is an ode to the art of filmmaking.

3
Anticipation
4
Enjoyment
3
In Retrospect