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A woman with blonde hair covering her face, appearing distressed or upset.
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Discover the trippy, transgressive pleasures of Mario Bava’s swansong

by Anton Bitel

The Ital­ian genre maestro’s final film, 1977’s Shock, is a haunt­ed house hor­ror quite unlike any other.
Two people, a man with a beard wearing a yellow shirt and a woman wearing a black hat, sitting together on a sofa.
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Discover this ’80s cult classic that has to be seen to be believed

by Anton Bitel

Renee Har­mon is the epony­mous Lady Street Fight­er in one of the most out­ra­geous exploita­tion movies ever made.
Processional line of individuals in dark clothing walking through a grassy field.
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How Nobuhiko Obayashi’s Anti-War Trilogy bridges generational trauma

by Alicia Haddick

The late Japan­ese direc­tor explores the twin nation­al dis­as­ters of 3.11 and World War Two in an epic series of films.
A woman wearing a white dress and tiara, looking into the camera.
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Discover this goofy intergalactic comedy about star-crossed lovers

by Anton Bitel

Richard Benjamin’s hokey My Step­moth­er is an Alien is an effects-heavy time cap­sule of ​’80s excess.
A person wearing a black baseball cap and glasses, with a microphone in front of them, speaking.
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Discover the film that helped kickstart the found footage phenomenon

by Anton Bitel

Ste­fan Ava­l­os and Lance Weiler’s 1998 hor­ror mock­u­men­tary The Last Broad­cast pre­dates The Blair Witch Project.
A man with a beard pointing a gun at a person lying on the ground in a cluttered, dilapidated setting.
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Discover this cult Euro crime thriller from Umberto Lenzi

by Anton Bitel

The mav­er­ick Ital­ian director’s 1976 film Free Hand for a Tough Cop is now avail­able in the UK for the first time.
A close-up black and white portrait of a woman with blonde hair behind an ornate metal grill.
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Discover Francis Ford Coppola’s Psycho-inspired directorial debut

by Anton Bitel

The Roger Cor­man-pro­duced Demen­tia 13 is much more than a quick­ie Hitch­cock ripoff, as this Director’s Cut proves.
Two people embracing, a man and a woman, appearing emotional and intimate.
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Love and misery in Mike Leigh’s All or Nothing

by Anton Bitel

The director’s 2002 dra­ma about life on a Lon­don hous­ing estate is a film of bleak moments and occa­sion­al hope.
Two individuals embracing, silhouetted against a warm, glowing backdrop. Vibrant colours and dramatic shadows create an intimate, emotive scene.
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Why Dario Argento’s Deep Red remains a trashy masterpiece

by Anton Bitel

The Ital­ian director’s 1975 gial­lo clas­sic is being re-released in a new­ly restored, longer edit with addi­tion­al scenes.
Abstract sculpture with textured, multi-coloured layers forming a distorted face-like shape against a dark background.
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Discover the fear and disillusionment of this cabin fever horror

by Anton Bitel

Toshi­a­ki Toyoda’s Mon­sters Club sees a Unabomber-like char­ac­ter wage a pri­vate war from a remote cab­in in the woods.