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Two men in suits sitting at a bar, glasses and bottle of alcohol on the table, framed photographs on the wall behind them.
Festivals

Martin Scorsese’s The Irishman to open the 57th New York Film Festival

by Adam Woodward

The leg­endary director’s long-ges­tat­ing mob epic will final­ly be unveiled 27 September.
Two men in suits standing on a rooftop, one pointing a gun at the other.
Video

Watch: A side-by-side analysis of Infernal Affairs and The Departed

by Leigh Singer

In the lat­est Remake/​Remodel, Leigh Singer inter­ro­gates Mar­tin Scorsese’s remake of a Hong Kong crime classic.
Two men in a bar, one with glasses and an older appearance, the other a younger man, sitting at a table and looking intently.
Incoming

Scorsese and DiCaprio to reunite on Killers of the Flower Moon

by Charles Bramesco

The pair are team­ing up for a mur­der mys­tery set in 1920s Oklahoma.
Elderly person sitting on steps, wearing coat and hat, against column in outdoor setting.
Review

Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese

by David Jenkins

On the road with Bob Dylan’s ram­shackle rock cir­cus in this kalei­do­scop­ic con­cert chronicle.

5
Anticipation
4
Enjoyment
3
In Retrospect
A person wearing a long, detailed white dress standing on a red carpet surrounded by a crowd of people at a formal event.
Incoming

The Cannes-Netflix stalemate continues with a full shutout in 2019

by Charles Bramesco

Don’t expect to see Mar­tin Scors­ese on the Croisette this year.
Two musicians on stage, one with a guitar and the other with a microphone.
Incoming

Watch the trailer for Martin Scorsese’s new Bob Dylan documentary

by Charles Bramesco

Rolling Thun­der Revue: A Bob Dylan Sto­ry is set for release on Net­flix on 12 June.
Smiling older man in navy suit sitting on patterned armchair, speaking into microphone.
Festivals

The future of cinema, according to Martin Scorsese

by Hannah Strong

At a recent mas­ter­class in Mar­rakech, the leg­endary Amer­i­can direc­tor expressed con­cerns over where the indus­try is heading.
Two shirtless men appear to be in a confrontation, with one man extending his arm towards the other person. The image has a gritty, moody atmosphere with a dimly lit room visible in the background.
Long Read

Travis looks in the mirror

by Brian Brems

What does it mean to be an Amer­i­can who loves Mar­tin Scorsese’s Taxi Dri­ver but hates gun violence?
A man with a beard wearing a light blue shirt and a hospital ID badge, with a concerned expression on his face.
In Praise Of

Why I love Nicolas Cage’s performance in Bringing Out the Dead

by Josh Slater-Williams

The actor is at his intense and emo­tion­al best in Mar­tin Scorsese’s under­rat­ed late ​’90s thriller.
A black and white portrait of a serious-looking man with intense eyes and a focused expression.
In Praise Of

Who’s That Knocking at My Door: How the world met Martin Scorsese

by Mark Allison

It’s 50 years since the direc­tor announced his arrival as a major new force in Amer­i­can cinema.