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Man in black jumper sitting in an old-fashioned room with a curtained window and a bust statue.
Incoming

Oscar Isaac will star in Paul Schrader’s next movie

by Charles Bramesco

The writer/​director is prep­ping The Card Counter, a tale of gam­bling and revenge.
A man wearing a black priest's robe, holding an open book, standing in front of a church altar with a cross and stained glass windows.
Review

First Reformed

by Hannah Strong

A preach­er strug­gles with a cri­sis of faith in Paul Schrader’s mind-bend­ing spir­i­tu­al drama.

3
Anticipation
5
Enjoyment
5
In Retrospect
Silhouetted figure stands in dark, industrial landscape at dusk with purple sky.
Festivals

First Reformed – first look review

by Elena Lazic

Paul Schrad­er returns to the fray with a media­tive mas­ter­work pow­ered by a stun­ning cen­tral turn from Ethan Hawke.
Two men in formal attire, one in a grey suit and the other in a black and yellow jacket, standing together in a dimly lit setting.
Review

Dog Eat Dog

by David Jenkins

Paul Schrad­er gets sil­ly with a ​’90s-inspired crime caper which prizes stoopid fun above all else.

3
Anticipation
3
Enjoyment
3
In Retrospect
A man in a white shirt stands in front of a woman on a sofa, smoking a cigarette.
In Praise Of

How American Gigolo flipped Hollywood sexism on its head

by Elena Lazic

Paul Schrader’s 1980 film unashamed­ly objec­ti­fies Richard Gere’s nar­cis­sis­tic lead.
Close-up of a man in a grey suit standing in front of a neon sign.
Festivals

Dog Eat Dog – first look review

by David Jenkins

Paul Schrad­er is hav­ing a par­ty and you’re all invit­ed with this utter­ly berserko Nic Cage crime caper.