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A woman with long hair standing at a window, looking thoughtful.
Festivals

Nitram – first-look review

by Hannah Strong

Justin Kurzel’s dif­fi­cult dra­ma about a noto­ri­ous mass mur­der­er falls into famil­iar pit­falls of the true crime genre.
A woman with long, wavy blonde hair looking pensive, standing behind a sheer, white curtain.
Incoming

Justin Kurzel explores the origins of a mass shooting in the Nitram trailer

by Charles Bramesco

Caleb Landry-Jones and Essie Davis star in the drama­ti­za­tion of a real-life 1996 massacre.
Muscular boxer in boxing gloves, posing on a boxing ring with lights in the background.
Incoming

Michael B Jordan will make his directorial debut with Creed III

by Charles Bramesco

He’ll come out swing­ing with a mas­sive stu­dio project as his first stint behind the camera.
Closed eyes and face of golden figure surrounded by glowing aura and wires
Festivals

All Light, Everywhere – first look review

by Hannah Strong

Rat Film direc­tor Theo Antho­ny delves deep into the myr­i­ad eth­i­cal quan­daries con­cern­ing mass surveillance.
A man with a beard and a woman in a room, facing each other intently.
Festivals

Mass – first-look review

by Hannah Strong

The after­math of a school shoot­ing is the focus of first-time direc­tor Fran Kranz’s stark por­trait of famil­ial grief.
A group of people having a discussion or meeting in a room with large windows.
Festivals

A new film explores the history of mass incarceration and house music in America

by Hannah Clugston

Bring Down the Walls sug­gests that the dance floor can pro­vide lib­er­a­tion from oppres­sive judi­cial policies.
Two people - a woman with windswept blonde hair and a man in a black waistcoat - standing face-to-face in a countryside setting.
Video

Take a peek behind the scenes of Greta Gerwig’s Little Women

by Hannah Strong

Watch Saoirse Ronan, Tim­o­th­ée Cha­la­met and co frol­ic in the Mass­a­chu­setts countryside.
Two people sitting on the back of a vintage scooter in a grassy field.
Home Ents

Is this one of the great lesser-known location-based horrors?

by Adam Scovell

Robert Fuest’s And Soon the Dark­ness fore­shad­ows both The Wick­er Man and The Texas Chain Saw Massacre.
A young boy gazes intently at a large black crow perched nearby on the ground in this moody black and white photograph.
Festivals

The Painted Bird – first look review

by David Jenkins

Mass walk-outs greet­ed this gru­elling but bril­liant lit­er­ary epic about a young lad’s jour­ney through hell.
Two people, a man in a red waistcoat and a woman wearing decorative clothing, sitting and gesturing on a rug covered floor with a mountainous landscape in the background.
Review

Aladdin

by David Jenkins

This ultra-glossy ​‘live action’ remake of Disney’s 1992 mega hit cleaves too close­ly to the orig­i­nal to jus­ti­fy its existence.

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Anticipation
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Enjoyment
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In Retrospect