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Two women in bright-coloured swimsuits stand outdoors, one in orange, one in burgundy. Their curly hair frames their faces.
Opinion

How Deep Throat and Pleasure ask questions about safety on porn sets

by Stefania Sarrubba

Nin­ja Thyberg’s dra­ma brings up ques­tions about adult film which have gone unad­dressed since the days of Lin­da Lovelace.
Draped figure in warm, earthy tones; hands emerging from fabric folds.
Incoming

The end is near in the first trailer for Gaspar Noé’s death drama Vortex

by Charles Bramesco

Dario Argen­to and Françoise Lebrun play a cou­ple in their lives’ wan­ing days, star­ing down the great beyond.
Two people in police uniforms fighting in an ornate interior with scaffolding.
Review

Raging Fire

by Kambole Campbell

The final film by the great Ben­ny Chan is a glo­ri­ous throw­back to the gold­en days of Hong Kong action flicks.

4
Anticipation
3
Enjoyment
4
In Retrospect
Bearded man wearing cap and holding red guitar in front of waterfall in lush, green forest.
Interviews

J Mascis: ‘In the early days, venues banned us for being too loud’

by Greg Wetherall

With the release of Freakscene – The Sto­ry of Dinosaur Jr, the front­man reflects on the band’s roller­coast­er journey.
A young Asian person with short dark hair, wearing a blue backpack, standing in a train carriage and looking thoughtfully out of the window.
Review

Better Days

by Weiting Liu

Derek Tsang Kwok-cheung’s cause célèbre-turned-suc­cess sto­ry com­bines hard-hit­ting dra­ma with woozy romance.

4
Anticipation
4
Enjoyment
4
In Retrospect
Healthcare worker in protective suit attending to a patient on a hospital bed.
Review

76 Days

by Weiting Liu

This inti­mate doc­u­men­tary, shot dur­ing lock­down in Wuhan, mea­sures the human cost of the coro­n­avirus pandemic.

4
Anticipation
4
Enjoyment
4
In Retrospect
Two youths in leather jackets, one in striped shirt, shouting on stage with illuminated backdrop.
Sponsored

A journey to the past with François Ozon

by Elena Lazic

To cel­e­brate the release of Sum­mer of 85, we explore Ozon’s var­i­ous height­ened depic­tions of days gone by.
Two individuals, a woman and a young girl, stand in front of a colourful backdrop with signage. The woman wears a black jacket and the girl a bright patterned coat.
In Praise Of

The sobering prescience of Kathryn Bigelow’s Strange Days

by Thomas Hobbs

The director’s 1995 tech noir isn’t her most crit­i­cal­ly or com­mer­cial­ly suc­cess­ful film, but it might just be her most important.
Grainy street scene, people passing. Faded image of building exterior. Lush green landscape.
On Location

On Location: Ringo’s wander in A Hard Day’s Night

by Adam Scovell

Retrac­ing the Beatle’s solo stroll through West Lon­don in Richard Lester’s 1964 music film.
Two people seated at a table, with "Childs" and "First n' last" sign visible through window.
Review

Days of the Bagnold Summer

by David Jenkins

This melan­choly com­ic char­ac­ter por­trait of an emo­tion­al­ly estranged moth­er and son falls in its final act.

3
Anticipation
3
Enjoyment
3
In Retrospect