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Two adults, a woman with curly hair and a man wearing a hat, standing outside in a town setting.
Festivals

Indiana Jones and the Dial of Destiny – first-look review

by David Jenkins

It’s an improve­ment on the exe­crable Crys­tal Skull, but James Mangold’s exhuma­tion of the Spiel­berg adven­ture ser­i­al is both tame and unnecessary.
Two people sat in a grassy field, one wearing a white shirt and the other a blue shirt.
Festivals

The Delinquents – first-look review

by David Jenkins

This dead­pan philo­soph­i­cal crime caper from Argenti­na’s Rodri­go Moreno is a mean­der­ing and hilar­i­ous delight from end to end.
Two faces in close-up, with soft, warm lighting. One person is turned slightly away, with an introspective expression.
Festivals

The Sweet East – first-look review

by Charles Bramesco

Talia Ryder stars as a high school stu­dent who becomes embroiled in var­i­ous pre­car­i­ous sit­u­a­tions on the east coast of Amer­i­ca in Sean Price Williams’ fea­ture debut.
Two children running through a lush, green forest.
Festivals

Monster – first-look review

by Charles Bramesco

Hirokazu Kore-eda’s lat­est, scored by the late Ryuichi Sakamo­to, is a dense, shape-shift­ing dra­ma that grows more scat­tered as it progresses.
Crowd of people sledging on snowy slope in city, with sleds and buildings in background.
Festivals

Occupied City – first-look review

by Sophie Monks Kaufman

Steve McQueen’s doc­u­men­tary con­trast­ing present-day Ams­ter­dam with its past occu­pa­tion by the Nazis is a tes­ta­ment to the chang­ing face of history.
Red steps leading up to the entrance of the Festival de Cannes, with event signage visible above.
Festivals

The Director’s Fortnight and Critic’s Week sidebars bolster a packed Cannes

by Charles Bramesco

Films from Michel Gondry, Manoel de Oliveira, and a slew of new­com­ers will play along­side the Offi­cial Selec­tion announced last week.
Two people in traditional clothing standing in front of a vintage car, one wearing a patterned blanket.
Festivals

Martin Scorsese, Jonathan Glazer, and Wes Anderson lead the 2023 Cannes Film Festival lineup

by Charles Bramesco

The Com­pe­ti­tion selec­tion also includes new works from Cather­ine Breil­lat and Todd Haynes.
Elderly man wearing glasses and a suit, hands clasped in prayer, serious expression on face against a dark background.
Festivals

Croisette wishes: 20 films we’d like to see at Cannes in 2023

by Charles Bramesco

Mar­tin Scors­ese, Wes Ander­son, and Pedro Almod­ó­var num­ber among the heavy hit­ters expect­ed on the red carpet.
Three African-American children on a bus, looking thoughtfully out of the window.
Festivals

Mother and Son – first-look review

by Sophie Monks Kaufman

Léonor Ser­raille comes good with her nov­el­is­tic sec­ond fea­ture about an immi­grant fam­i­ly fight­ing for sur­vival in France.
Young woman in a cluttered room, holding a plush toy.
Festivals

Showing Up – first-look review

by Caitlin Quinlan

Michelle Williams excels as a sculp­tor whose atten­tion is sapped by col­leagues and fam­i­ly in Kel­ly Reichardt’s ambi­ent social satire.