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A close-up portrait of a blonde woman with intense gaze against a dark background.
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Discover the ocular nightmare of this cult Lucio Fulci horror

by Anton Bitel

The vision­ary Ital­ian director’s 1981 film The Beyond remains one of his most unnerv­ing, trans­gres­sive works.
A young woman, with long wavy hair, sitting on the floor of a bathroom, talking on an old-fashioned telephone with a concerned expression.
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Cheap thrills: five essential straight-to-video stocking fillers

by Paul Ridd

Top 2019 home enter­tain­ment releas­es for the strong stom­ached and moral­ly depraved.
Close-up of a weathered, middle-aged man with glowing yellow eyes in a dark setting.
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Why The Exorcist III remains a fascinating, flawed horror sequel

by Anton Bitel

A sense of cre­ative con­flict infus­es William Peter Blatty’s spir­i­tu­al fol­low-up to William Friedkin’s 1973 classic.
A woman with curly blond hair wearing a yellow top standing in a room with shelves and jars in the background.
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Revisiting Paul Verhoeven’s sexually explicit answer to Grease

by Anton Bitel

The 1980 com­ing-of-ager Spet­ters is one of the Dutch master’s most uncom­pro­mis­ing and con­tro­ver­sial works.
An image of a close-up of a person's face with the text "HITCH HIKE TO HELL" written across their forehead in red lettering.
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Discover the sleazy cautionary tale of this hitchhiking thriller

by Anton Bitel

Irvin Berwick’s cult 1983 film Hitch Hike to Hell is an Amer­i­can night­mare writ large.
Dramatic black and white image of a large monster-like figure looming over a domed building and cityscape.
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Criterion’s collection of Showa-era Godzilla films is a cinematic feast

by Andrew Northrop

Fif­teen of the icon­ic kaiju’s adven­tures have been com­piled in a long-over­due com­mem­o­ra­tive boxset.
Robed figure with a star emblem, gesturing amidst flames.
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Discover the allegorical terror of this landmark silent era horror

by Anton Bitel

Paul Wegener’s night­mar­ish take on the Golem of Jew­ish folk­lore intro­duced Ger­man Expres­sion­ism to the world.
Four people in 1960s fashion - two women in pink dresses, two men in casual clothing - stand close together in what appears to be a dance studio or living room setting.
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How Jacques Demy reimagined the Hollywood musical

by Adam Scovell

With The Young Girls of Rochefort, the French direc­tor cre­at­ed some­thing won­drous­ly original.
Shirtless male with eyes closed, face covered in blood, biting into something bloody
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Is An American Werewolf in London a love story?

by Anton Bitel

Romance, tragedy and hor­ror com­bine to potent effect in direc­tor John Lan­dis’ icon­ic 1981 feature.
Two people sitting on the back of a vintage scooter in a grassy field.
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Is this one of the great lesser-known location-based horrors?

by Adam Scovell

Robert Fuest’s And Soon the Dark­ness fore­shad­ows both The Wick­er Man and The Texas Chain Saw Massacre.