The Guilty

Review by Gus Edgar-Chan @edgarreviews

Directed by

Gustav Möller

Starring

Jakob Cedergren

Anticipation.

An enticing spin on the procedural drama.

Enjoyment.

Tense, taut, twisty.

In Retrospect.

Make the right call and watch this immediately.

An emergency responder deals with a traumatic phone call in this intriguing Danish thriller.

“Do you know who the police are? We’re protectors. We protect people who need help.” Jakob Cedergren’s Asger, an alarm dispatcher at the end of his tether, is comforting a six-year-old-girl through the phone. Her mother’s been kidnapped by her ex-husband and it’s a race against time to catch the criminal before the situation shifts to murder. The young girl’s voice is muffled by the static, but to Asger, the case is clear. Unfortunately he couldn’t be further from the truth.

The advantage of binding a crime narrative to an office setting is how naturally you can withhold information from the protagonist, and in turn, the audience. Fear of the unknown is a powerful weapon, and director Gustav Möller wields it with gusto. He drip-feeds plot points and final stretch revelations that threaten to turn the whole procedure on its head. Until its last about-face, it works.

The plot progression rarely feels contrived, the twists are shocking without being exploitative, and the tension is dialled up to the point where Asger has to rip those dials from his desk. When he’s instructing the mother down the phone to breathe slowly and calm herself, you’re not sure whether it’s for her benefit, his, or yours.

This particular case is thrilling, but its specifics hardly matter. The Guilty is much more a character study of one man slowly unravelling across a taut 90 minutes. At one point, the grainy noise of windshield wipers forms a thumping soundtrack. He may be confined to a swivel chair, but his headspace is everywhere. A backstory revealed in jerks and jolts makes it clear that his role as a dispatcher is the only source of self-worth Asger has left.

Eventually, he sets his sights on salvation; the investigation recedes to background noise. Try as he might to help the little girl on the other end of the phone, he’s unable to help himself.

Published 26 Oct 2018

Tags: Gustav Möller The Guilty

Anticipation.

An enticing spin on the procedural drama.

Enjoyment.

Tense, taut, twisty.

In Retrospect.

Make the right call and watch this immediately.

Suggested For You

Custody

By David Jenkins

A young boy becomes the victim of a broken marriage in Xavier Legrand’s accomplished debut.

review

Gone Girl

By David Jenkins

David Fincher’s trash procedural for the Twitter age taunts, tickles and, ultimately, terrifies.

review LWLies Recommends

All the Money in the World

By Hannah Strong

Michelle Williams and Mark Wahlberg battle the might of an unfeeling empire in Ridley Scott’s latest.

review

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design