Reviews

The Outrun review – sensationally directed and performed

By Katherine McLaughlin

Saoirse Ronan stars as a young woman battling alcoholism on the Orkney Isles in Nora Fingscheidt's adaptation of Amy Liptrott's bestselling memoir.

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The Teacher review – a wonderful cinematic experience

By Grace Dodd

A Palestinian teacher has to reconcile his commitment to political resistance with his role as father-figure in Farah Nabulsi's gripping feature debut.

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Megalopolis review – scintillating, absurd and violently original

By David Jenkins

Ignore the haters – this is the kaleidoscopic, enriching, Wellsian vision of a grand old master with nothing to lose.

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Wolfs review – it’s content, not cinema

By Hannah Strong

Two lone wolf fixers bicker their way through Jon Watts' sparkless action comedy, which wastes the charisma of George Clooney.

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The Goldman Case review – a thumping courtroom drama

By David Jenkins

Cédric Kahn recreates the gripping 1976 trial of political activist Pierre Goldman in this immersive courtroom drama.

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His Three Daughters review – fires on all pistons

By David Jenkins

Carrie Coon, Natasha Lyonne and Elizabeth Olsen play estranged sisters reuniting to care for their ailing father in Azazel Jacobs’ affecting chamber drama.

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The Substance review – as shallow as the very thing it’s critiquing

By Hannah Strong

Coralie Fargeat's supposed satire on Hollywood's impossible standards for women is an ultimately unpleasant and ugly screed against those that try to play the game.

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Girls Will Be Girls review – sympathetic to teendom

By Natasha Jagger

Shuchi Talati's sensitive Sundance sensation focuses on a teenage girl in North India who experiences first love amid clashing with her mother.

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My Favourite Cake review – a charming slice-of-life film

By Fatima Sheriff

An elderly woman discovers romance again in Maryam Moghadam and Behtash Sanaeeha's touching dramedy.

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Will & Harper – a charming but impersonal road trip movie

By Juan Barquin

Will Ferrell and his best friend Harper Steele embark on a cross-country road trip, reflecting on Steele's experiences as a recently out trans woman, in Josh Greenbaum's meandering but sweet documentary.

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Speak No Evil review – an effective game of cat and mouse

By David Jenkins

James McAvoy is a blast as the overly-friendly patriarch who invites unwitting tourists back to his west country stack for fun and games.

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In Camera review – a star is born in Nabhaan Rizwan

By Hannah Strong

Naqqash Khalid’s inventive feature debut is a spiky take on navigating the British film industry as a non-white actor.

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The Queen Of My Dreams review – exceptionally pleasant

By Grace Dodd

Fawzia Mirza's joyful, Bollywood-inspired debut feature explores a tumultuous mother-daughter relationship.

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Red Rooms review – a claustrophobic tech-tinged nightmare

By Hannah Strong

Pascal Plante's haunting drama examines the dark reality of the true crime industrial complex in elegant and austere fashion.

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Rebel Ridge review – Aaron Pierre delivers the goods and then some

By Kambole Campbell

Jeremy Saulnier returns with a flinty, restrained crime-conspiracy thriller exploring small town police corruption and the one guy who they should never have messed with.

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Starve Acre review – all texture and no teeth

By Michael Leader

Matt Smith and Morfydd Clark play a couple who move to an isolated Yorkshire Dales estate in Daniel Kokotajlo’s folk horror.

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Paradise is Burning review – chaotic and wonderfully tense

By Grace Dodd

Rage, tenderness and no small amount of laughter combine in this nuanced portrayal of the Swedish working-class from writer/director Mika Gustafson.

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Sing Sing review – Domingo and Maclin deliver powerhouse performances

By Isaac Feldberg

Set in a correctional facility, Greg Kwedar's poignant drama offers an exploration of art’s transformative potential.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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