by Robyn Quick
Benjamin Millepied’s reimagining of Georges Bizet’s classic opera is beautiful to behold, but lacks musical pizzazz.
by Saskia Lloyd Gaiger
Carolina Cavalli’s feature debut about a young woman’s arrested development is both too real for its whimsy and too whimsical to be realistic.
by Leila Latif
Miles Morales returns as the web-slinging hero of Brooklyn in this smart sequel which defies expectations.
by Caitlin Quinlan
Tina Satter adapts her own play into a chamber drama powered by Sydney Sweeney’s performance as NSA whistleblower Reality Winner.
by Anton Bitel
A grieving family find themselves terrorised by a supernatural monster in Rob Savage’s jump to big studio horror.
by Hannah Strong
Joel Edgerton plays a horticulturist with a troubled past in Paul Schrader’s beautiful but underwhelming drama.
by David Jenkins
This humanist portrait of care, surgery and technology is Verena Paravel and Lucien Castaing-Taylor’s most overtly socially conscious work.
Halle Bailey’s charms can’t distract from all the bizarre choices at the heart of this underwhelming live-action remake.
by Jake Cole
Jason Momoa puts in a fine showing as a new villain in Louis Leterrier’s zany entry into the muscle car franchise.
by Weiting Liu
Kelly Fremon Craig’s take on Judy Bloom’s iconic preteen novel is a sweet tale of a young girl figuring out religion, boys and puberty.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.