by Hannah Strong
The final film in Kay Cannon’s trilogy about a group of singing friends is more awk-apella than a cappella.
Dwayne Johnson and co enter a virtual wilderness in the ’90s reboot nobody asked for.
by Anton Bitel
There’s shades of Nicolas Roeg’s Don’t Look Now in this twisty mystery thriller from writer/director Gary Sinyor.
Nikolaj Coster-Waldau does hard time in Ric Roman Waugh’s woefully misjudged prison drama.
by Joe Boden
This visually arresting documentary asks why we climb, but doesn’t offer any satisfactory answers.
by David Jenkins
Jia Zhangke’s ambitious, multi-stranded romantic epic features a stunning central turn from Zhao Tao.
Rian Johnson serves up the most spectacular, emotional and weirdest Star Wars film to date.
by Victoria Luxford
Ai Weiwei’s nuanced and fascinating portrait of global migration is one of the year’s most important films.
Paul Thomas Anderson’s latest is a swooning, masochistic love story set in mid-century London. It might just be his best film...
by Josh Slater-Williams
If you go down in the woods today, you’re sure to be underwhelmed...
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.