Isabelle Huppert and Chloë Grace Moretz star in this enjoyably silly cat-and-mouse thriller.
It’s often said that being nice gets you absolutely nowhere. Neil Jordan’s latest film, Greta, relishes proving such a cold, hard truth. A harmless good deed quickly becomes a waking nightmare in this fast-paced, darkly comic thriller starring Chloë Grace Moretz alongside a fierce Isabelle Huppert.
Moretz is Frances McCullen, a fresh-faced waitress living an independent life in New York. She is new to the city, so when she arrives home one day with a stranger’s purse she finds on the subway, her flatmate Erica (Maika Monroe) berates her for bringing home a “bomb threat”. The purse in question belongs to a woman named Greta (Huppert), and a considerate Frances returns it to her home in person, accepting an innocent coffee as a thank you for her display of kindness.
A friendship grows from this encounter and the pair begin to spend more and more time together. Greta fills a void left in Frances after the recent death of her mother, and in turn Frances acts as a surrogate daughter for an estranged parent. It is a convenient arrangement, a way of finding companionship for two lonely souls in a big city.
Things take a sinister turn after another visit to her new friend’s home unveils more than Frances had expected. Greta becomes obsessive, an attention-craved stalker who harasses Frances at every turn. Her behaviour is juvenile but endlessly unnerving, and she revels in playing the part of scorned lover and sadistic tease to deliciously dark effect. Huppert is great fun to watch, with a vicious stare and devilish sense of humour. She dances her way through her tricks and traps, making an undeniably entertaining villain.
Outbursts of almost slapstick violence pepper a neatly composed narrative. Jordan also hints at the storm brewing in Greta, and Frances soon must fight back against Greta’s fiendish power or risk being engulfed by it forever. The careful tension building and shock factor of the story complement the sleek elegance and comedy that runs throughout. Together these elements combine to form a dynamic and absorbing film with a heart of sheer silliness.
Published 17 Apr 2019
Isabelle Huppert as a crazed stalker? Yes please.
This film is pure bonkers fun.
It’s all a bit silly but it works.
Isabelle Huppert and Paul Verhoeven reunite to potent effect in this sly, caustic social critique.
By Anton Bitel
Luca Guadagnino puts a bold allegorical spin on Dario Argento’s baroque horror classic.
By Anton Bitel
Bloodsuckers hit the beach in Neil Jordan’s woozy and extremely violent British noir.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
