Ice and the Sky | Little White Lies

Ice and the Sky

11 Dec 2015 / Released: 11 Dec 2015

Vast glacial landscape with towering icy peaks, person sitting on rocky shore gazing across the frozen lake.
Vast glacial landscape with towering icy peaks, person sitting on rocky shore gazing across the frozen lake.
2

Anticipation.

This film closed the 2015 Cannes Film Festival, which is never a good sign.

4

Enjoyment.

All rules are made to be broken.

3

In Retrospect.

A bracing climate change doc whose softly spoken message connects with the heart and heat.

Mr March of the Pen­guins returns with an affect­ing, unhys­ter­i­cal film about the ensu­ing cli­mate dis­as­ter ahead.

At the base of our plan­et sits a giant archive. It’s an archive of cli­mate activ­i­ty that spi­rals back to the dawn of exis­tence. At the age of 23, avun­cu­lar glaciol­o­gist Claude Lorius decid­ed he want­ed to work as Earth’s cli­mate archivist, head­ing on reg­u­lar treach­er­ous expe­di­tions down to this inhos­pitable tun­dra in a bid to dis­cov­er what secrets were encased the ice sev­er­al thou­sand meters below his cram­pons. With exact­ing­ly-primed drills, shafts of ice are exhumed from the earth and the gasses cap­ture with­in them paint­ed a pic­ture of the world, going back some 800,000 years.

Luc Jacquet’s film offers a pro­file of Lorius’ life, cap­tur­ing the large­ly hap­py-go-lucky activ­i­ties of a man under­tak­ing this high­ly spe­cif­ic, albeit deeply impor­tant occu­pa­tion. Across fifty years of col­lect­ed research, much of it cap­tured on cam­era, we see this relent­less­ly chip­per soul car­ry­ing out his research as his fam­i­ly wor­ries for his well­be­ing back in France.

The film itself is some­thing of a time cap­sule, pre­sent­ing the chang­ing fash­ions and tech­nolo­gies over the years as well as high­light­ing the steep learn­ing curve that came from evolv­ing method­ol­o­gy and the fact that these endeav­ours were usu­al­ly the result of pan-glob­al teams com­ing togeth­er and defy­ing polit­i­cal ten­sions in the name of some­thing valu­able for all. Luck­i­ly for Jacquet, Lorius is also poet­ic in his diag­no­sis of an uncer­tain future for the plan­et, and the film’s nar­ra­tion is beau­ti­ful in and of itself.

They way he describes the world and the prob­lems it faces is like some­one who thinks that the prob­lem is so trans­par­ent that shout­ing and hec­tor­ing is not need­ed. But the film accrues its pow­er from not bom­bard­ing the view­er with sta­tis­tic-backed doom­say­ing. This is not a film which uses sta­tis­tics to back up a hys­ter­i­cal cli­mate change polemic, but a doc­u­ment of the painstak­ing task that was under­tak­en to actu­al­ly dis­cov­er these chill­ing sta­tis­tics in the first place.

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