Yeon Sang-ho’s sequel-of-sorts to his breakout zombie hit fails to deliver the gut punch of its predecessor.
The end of the world has a familiar theme in these train-based South Korean allegories.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
