Tilda Swinton

What is Luca Guadagnino adding to his extended cut of A Bigger Splash?

By Charles Bramesco

The director's cut, titled An Even Bigger Splash, will restore 70 minutes of footage cut from the film. To what effect?

The Eternal Daughter – first-look review

By Catherine Bray

Tilda Swinton plays both mother and daughter in Joanna Hogg's eerie and effective exploration of parent-child relationships.

Three Thousand Years of Longing

By Catherine Bray

Mad Max director George Miller returns to the big screen with an adaptation of modern-day fable The Djinn in the Nightingale's Eye.

review

The wooden boy comes to life again in the first trailer for Guillermo del Toro’s Pinocchio

By Charles Bramesco

There's a darker edge to the classic kiddie fable in this stop-motion take with a starry voice cast.

Three Thousand Years of Longing – first-look review

By Catherine Bray

George Miller returns to our screens with an ambitious tale of desire and magic featuring Tilda Swinton and Idris Elba.

Claire Denis and David Cronenberg headline the 2022 Cannes Film Festival

By David Jenkins

This year’s stacked line-up also includes new work Kelly Reichardt, Ruben Ostlünd and Park Chan-wook – but no David Lynch.

The radically non-binary nature of Sally Potter’s Orlando

By Sam Moore

Thirty years after it was released, the British director’s take on Virginia Woolf’s novel is a powerful study of self-identity.

The Souvenir: Part II

By Hannah Strong

The sequel to Joanna Hogg’s autobiographical masterpiece is a stunning portrait of an artist’s profound exploration of grief.

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Memoria

By Mark Asch

Apichatpong Weerasethakul meticulously crafts a sensory journey soaked in introspection and metaphysical perplexity.

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The French Dispatch

By Hannah Strong

Wes Anderson’s New Yorker-inspired anthology film is a meticulously-crafted love letter to the art of magazine journalism.

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Joanna Hogg’s memoir goes meta in the first trailer for The Souvenir Part II

By Charles Bramesco

Honor Swinton-Byrne reprises her role as the writer/director’s on-screen avatar in the forthcoming sequel.

Memoria – first-look review

By Mark Asch

Tilda Swinton is extraordinary in a film by Apichatpong Weerasethakul which comprises of “pure vibes”.

The French Dispatch – first-look review

By Hannah Strong

Wes Anderson’s star-studded, multi-chaptered tribute to The New York is his most impressionistic work to date.

Tilda Swinton goes on a sensory journey in the first Memoria trailer

By Charles Bramesco

She embarks on an existential quest in the latest feature from Thai great Apichatpong Weerasethakul.

The Souvenir Part II – first-look review

By Hannah Strong

Joanna Hogg’s follow-up to her 2019 masterpiece is an immaculate study of grief and filmmaking.

Tilda Swinton will star in Joanna Hogg’s other upcoming film

By Charles Bramesco

After The Souvenir Part II, we’ll see her in the writer/director’s The Eternal Daughter.

Tilda Swinton sits for Pedro Almodóvar in The Human Voice trailer

By Charles Bramesco

The Spanish master’s 30-minute short is coming to UK cinemas next month.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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