Tilda Swinton

The Room Next Door review – something is missing

By Hannah Strong

Pedro Almodóvar makes his English-language debut with an adaptation of Sigrid Nunez's What Are You Going Through, starring Julianne Moore and Tilda Swinton as old friends who reunite in a time of crisis.

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The End – first-look review

By Mark Asch

Joshua Oppenheimer returns with an ambitious, post-apocalyptic musical whose thematic flights of fancy are always just a little too strident.

The Room Next Door – first-look review

By Hannah Strong

Pedro Almodóvar makes his English-language feature debut with an adaptation of Sigrid Nunez's What Are You Going Through, starring Julianne Moore and Tilda Swinton as old friends who reunite in a time of crisis.

The Eternal Daughter review – double your Tilda, double your pleasure

By Catherine Bray

Tilda Swinton plays both mother and daughter in Joanna Hogg's eerie and effective exploration of parent-child relationships.

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The Killer review – throwback to the golden age of pulp fiction

By Hannah Strong

Michael Fassbender plays a contract killer suffering some professional setbacks in David Fincher's lean, mean new thriller.

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Asteroid City

By David Jenkins

The maestro returns, the patented formula tweaked to blissful perfection in this witty and deeply moving exploration of the tools that we produce to help us see beyond our everyday vision.

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Problemista – first-look review

By Lex Briscuso

Los Espookys' Julio Torres makes the leap to film with a surreal, touching comedy about a Salvadoran immigrant, co-starring Tilda Swinton.

Wes Anderson’s new film Asteroid City will hit Earth in an early-summer release date

By Charles Bramesco

With a theatrical run scheduled for June, a premiere at Cannes seems all but assured.

Two Tilda Swintons enter Johanna Hogg’s haunted house in the Eternal Daughter trailer

By Charles Bramesco

Swinton plays a Hogg stand-in as well as her mother in the atmospheric not-quite-horror picture.

What is Luca Guadagnino adding to his extended cut of A Bigger Splash?

By Charles Bramesco

The director's cut, titled An Even Bigger Splash, will restore 70 minutes of footage cut from the film. To what effect?

The Eternal Daughter – first-look review

By Catherine Bray

Tilda Swinton plays both mother and daughter in Joanna Hogg's eerie and effective exploration of parent-child relationships.

Three Thousand Years of Longing

By Catherine Bray

Mad Max director George Miller returns to the big screen with an adaptation of modern-day fable The Djinn in the Nightingale's Eye.

review

The wooden boy comes to life again in the first trailer for Guillermo del Toro’s Pinocchio

By Charles Bramesco

There's a darker edge to the classic kiddie fable in this stop-motion take with a starry voice cast.

Three Thousand Years of Longing – first-look review

By Catherine Bray

George Miller returns to our screens with an ambitious tale of desire and magic featuring Tilda Swinton and Idris Elba.

Claire Denis and David Cronenberg headline the 2022 Cannes Film Festival

By David Jenkins

This year’s stacked line-up also includes new work Kelly Reichardt, Ruben Ostlünd and Park Chan-wook – but no David Lynch.

The radically non-binary nature of Sally Potter’s Orlando

By Sam Moore

Thirty years after it was released, the British director’s take on Virginia Woolf’s novel is a powerful study of self-identity.

The Souvenir: Part II

By Hannah Strong

The sequel to Joanna Hogg’s autobiographical masterpiece is a stunning portrait of an artist’s profound exploration of grief.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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