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Vibrant illustration with ornate architecture, dynamic figures, and bold use of red, orange, and yellow hues.
Partnership

The Decadent Splendour of The Great Beauty

by Leonardo Goi

Pao­lo Sorrentino’s Felli­ni-esque jour­ney through mod­ern-day Rome trans­forms the Eter­nal City into a liv­ing, breath­ing char­ac­ter of unpar­al­leled grandeur.
Colourful gallery wall with framed paintings, sculptures, and a man sitting in an armchair.
Interviews

Wes Anderson: ‘You’re hoping for the right accident’

by Hannah Strong

We speak to the mas­ter­mind behind The Phoeni­cian Scheme about fam­i­ly, fathers-in-law, and the great, grand plan of all things Wes Anderson.
An elderly woman with white hair wearing a purple jacket, standing in front of a large colourful Ferris wheel.
Festivals

Eleanor the Great – first-look review

by Hannah Strong

June Squibb plays a spir­it­ed nona­ge­nar­i­an who moves back to New York from Flori­da in Scar­lett Johansson’s under­whelmed direc­to­r­i­al debut.
Two young men with intense expressions, one gesturing forcefully.
Review

Dig! XX review – the original version is still the best

by David Jenkins

Ondi Tim­o­n­er revis­its her clas­sic 2004 rock doc with an extend­ed ver­sion that doesn’t add much to the great­ness of the original.

4
Anticipation
4
Enjoyment
3
In Retrospect
Two men performing on stage, one holding a microphone and the other playing a keyboard. The image uses a blue and white tone.
Incoming

The great biopic brain drain

by Callie Petch

In an age of Walk Hard knock-offs, why are the biopics that con­tin­ue to play it safe the biggest suc­cess stories?
Truth & Movies - A Little White Lies Podcast
Podcast

The Seed Of The Sacred Fig + Mohammad Rasoulof | Bring Them Down + Christopher Abbott | Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975)

On Truth & Movies this week we review Moham­mad Rasoulof’s The Seed Of The Sacred Fig and spoke to the direc­tor about the chal­lenges of mak­ing his polit­i­cal thriller. We then review the dark tale of revenge Bring Them Down and spoke to it’s star Christo­pher Abbott. Final­ly, for Film Club we revis­it what is offi­cial­ly the great­est film of all time Jeanne Diel­man, 23 quai du Com­merce, 1080 Brux­elles. Join­ing host Leila Latif are Lit­tle White Lies Edi­tor David Jenk­ins and Film Crit­ic Lau­ra Venning.
Two cartoon rabbits, one holding a cake and dressed in a red pinafore, the other in a purple suit, in a countryside setting with hills and clouds.
In Heaven Everything Is Fine

Love in the land of Twin Peaks

by Juan Barquin

Mark Frost and David Lynch’s beloved tele­vi­sion series is a tes­ta­ment to the great­est pow­er human beings have.
Three Black men, one in a police uniform, one in a suit, and one shirtless, against a vibrant purple and orange sky background.
Acting Up

The engrossing ’90s nonsense of Denzel Washington

by Chloe Walker

One of the great­est actors of all time found a com­pelling niche star­ring in some of the decade’s zani­est high-con­cept thrillers.
Illustration of a man's face behind chain-link fence, with birds flying in a blue sky background.
LWLies Magazine

LWLies 104: The Blink Twice issue – Out now!

by Little White Lies

The great Nao­mi Ack­ie graces the vibrant cov­er of our new issue cel­e­brat­ing Zoë Kravitz’s direc­to­r­i­al debut.
Truth & Movies - A Little White Lies Podcast
Podcast

Cannes Special | The Shrouds + Megalopolis

On Truth & Movies this week, the team are com­ing at you live from the 2024 Cannes Film Fes­ti­val with a round-up of all the great and the good movies they’ve caught, includ­ing Andrea Arnold’s Bird, David Cronenberg’s The Shrouds and Fran­cis Ford Coppola’s Megalopolis.