The Chemical Brothers

How the dynamic editing of Don’t Think sets the bar for concert films

By Callie Petch

Adam Smith creates a disorientating, immersive experience through innovative camera work and editing in The Chemical Brothers: Don't Think.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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