Tár

Why Tár should win the Best Original Screenplay Academy Award

By Justine Smith

Todd Field's script for the classical music psychodrama is a meticulously crafted exercise in form.

Everything Everywhere All At Once leads the pack of nominations for an unpredictable Oscars

By Charles Bramesco

All Quiet on the Western Front and the Banshees of Inisherin also came up big in this morning's announcement.

Hildur Guðnadóttir: ‘Music is a way to express yourself beyond words’

By Meg Walters

The Academy Award-winning composer behind Tár and Women Talking explains how she created two of this year's most interesting scores.

Tár

By Ege Apaydın

Cate Blanchett is on top form as a conductor who experiences a swift fall from grace in Todd Fields' piercing psychodrama.

review LWLies Recommends

Tár – first-look review

By Hannah Strong

Cate Blanchett is captivating as formidable, world famous classical composer in Todd Fields’ frustrating study of the cult of genius.

Cate Blanchett is smoking in our first look at Todd Field’s new film

By David Jenkins

His first film since 2006’s Little Children centres on composer/conductor Lydia Tár as she prepares to record her magnum opus.

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design