The famed photographer turns his hand at filmmaking with a study of extreme trauma and slow healing in The After.
By Meg Fozzard
Now in its second year, the BFI’s moving-image showcase centres Disabled filmmaking talent and their vital stories.
One of the world's leading celebrations of short film offers an exciting vision not only for the future of cinema, but for how a film festival can work.
This year’s Short Cuts programme brought together bite-size perspectives from around the world.
York’s annual showcase of groundbreaking short-form cinema returned for its biggest ever edition.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
