Sebastian Stan

The Apprentice – first-look review

By Mark Asch

Ali Abbasi's attempted takedown of America's previous (and perhaps next) President of the United States, charting his early years under the mentorship of Roy Cohn, lacks the killer instinct.

A Different Man – first-look review

By Hannah Strong

Sebastian Stan and Adam Pearson are an excellent double act in Aaron Schimberg's effective sophomore feature.

Berlin announce exciting 2024 competition line-up

By David Jenkins

Outgoing artistic director Carlo Chatrian delivers the world cinema goods for his final edition at the helm.

Fresh – first-look review

By Hannah Strong

It’s a classic tale of boy eats girl in Mimi Cave’s directorial debut, but the flavour profile is off.

The 355

By Marina Ashioti

Jessica Chastain’s passion project is a questionable espionage thriller that flaunts its international cast of A-Listers.

review

An international coalition of female spies team up in The 355

By Charles Bramesco

Jessica Chastain, Lupita Nyong’o, Penelope Cruz, Diane Kruger and Fan Bingbing – the whole gang is here.

Brady Corbet has cast his ambitious next film The Brutalist

By Charles Bramesco

Mark Rylance, Vanessa Kirby and Marion Cotillard have joined the actor-director’s postwar epic.

A starry ensemble sinks into sin in The Devil All The Time trailer

By Charles Bramesco

Tom Holland, Robert Pattinson, Riley Keough and Mia Wasikowska head up Antonio Campos’ period piece.

Destroyer

By Sophie Monks Kaufman

Nicole Kidman suffers through prosthetics and a patchy script in Karyn Kusama’s detective noir.

review

Destroyer – first look review

By Sophie Monks Kaufman

A committed Nicole Kidman slums it in this by-the-book detective noir from director Karyn Kusama.

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design