An excellent crop of debut films in the past couple of years all explore painful childhoods. What does this say about the interests of the British film industry?
Charlotte Regan and Celine Song's debut features represent the conflicting attitudes towards the prominent role technology takes in modern life.
The Scrapper star on getting into character, upsetting the make-up department and improvising opposite a tenacious 11-year-old.
The chemistry between Harris Dickinson and Lola Campbell shines in Charlotte Regan's debut, about the difficulties of father-daughter bonding.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
