Daniel Clowes’ story of teenage apathy stirred in me a desire to break away and be alone.
Marvel lays it all on the line in their pan-property pièce de résistance – a full-tilt triumph of blockbuster filmmaking.
By Emily Bray
The director’s Japan-set stop-motion feature follows a young boy searching for his dog.
All the slick CG in the galaxy can’t save this mind-numbing sci-fi noir starring Scarlett Johansson as a femme cyborg.
Ghost in the Shell isn’t the first film to refigure the actor’s body into something disturbing or monstrous.
By Dan Einav
The Man Who Wasn’t There is a film without levity, hope or redemption – and it’s one of the directors’ very best.
The director has revealed early footage from his upcoming stop-motion feature.
Scarlett Johansson has poured cold water on a possible solo outing for her comic book heroine.
Brit director Garth Jennings turns his hand to an eccentric animated singing competition in this utterly delightful new work.
By Vadim Rizov
Woody Allen has made his fair share of bad movies. But who are the critical gatekeepers who will stop at nothing to defend his honour?
A comprehensive countdown of the great American writer/director’s complete filmography.
Hey kids! Captain America’s back, and he’s brought some lively political views with him.
The director’s recent collaboration with Disney provides a bittersweet tang to his story of a talented cook.
Ben Wheatley’s High-Rise isn’t the first film to use a towering structure to reflect social anxieties.
The Coens are back and have brought every one of their celebrity pals with them.
Joss Whedon has once again assembled a creamy cast to have a whole lot of fun with the blockbuster template.
Who remembers the last good Luc Besson movie? Time to reset that particular clock, as he’s returned with a stormer.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
