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Group of people sitting around a table in a dimly lit room.
Review

Women Talking

by Lillian Crawford

A group of women in a remote Men­non­ite colony meet in secret in Sarah Pol­ley’s mov­ing adap­ta­tion of Miri­am Toews’ novel.

4
Anticipation
4
Enjoyment
5
In Retrospect
A smiling woman with long blonde hair holding a microphone in a room with a TV and cluttered surfaces.
In Praise Of

In praise of Stories We Tell

by Cici Peng

Sarah Pol­ley’s inno­v­a­tive, heart­felt doc­u­men­tary about her moth­er is a thought­ful exer­cise in the mechan­ics of storytelling.
A group of people, including women and children, standing or seated in a rustic indoor setting. The image has a dark, moody tone with muted colours and lighting.
Festivals

Women Talking – first-look review

by Saffron Maeve

A group of women meet in secret to dis­cuss escap­ing their abu­sive, iso­lat­ed colony in Sarah Pol­ley’s adap­ta­tion of Miri­am Towes’ novel.
Image shows a woman in a maid's uniform flanked by two uniformed men, likely in a period setting.
Not Movies

How Alias Grace softens Margaret Atwood’s source novel

by Ella Donald

The Net­flix adap­ta­tion is char­ac­terised by the com­pet­ing visions of writer Sarah Pol­ley and direc­tor Mary Harron.
Trailers

Will Alias Grace be Netflix’s next female-driven success?

by Courteney Tan

Mary Har­ron and Sarah Pol­ley join forces for this adap­ta­tion of Mar­garet Atwood’s acclaimed novel.
A smiling woman with long blonde hair holding a microphone in a room with a TV and cluttered surfaces.
Review

Stories We Tell

by Adam Woodward

Direc­tor Sarah Pol­ley deliv­ers a bit­ter­sweet and com­pelling auto­bi­o­graph­i­cal fam­i­ly portrait.

3
Anticipation
5
Enjoyment
4
In Retrospect