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A young person looking through a train window, holding a piece of paper.
Interviews

Hirokazu Koreeda: ‘Ryuichi Sakamoto and I were a good match’

by Lillian Crawford

The Japan­ese film­mak­er reflects on the mov­ing expe­ri­ence of work­ing with com­pos­er Ryuichi Sakamo­to on his final score, for his new dra­ma Monster.
Greyscale portrait of an elderly man wearing glasses, with a serious expression.
Festivals

Ryuichi Sakamoto | Opus – first-look review

by Xuanlin Tham

The final per­for­mance of the late Japan­ese com­pos­er is cap­tured in stun­ning, heart-rend­ing detail by his son.
Two children running through a lush, green forest.
Festivals

Monster – first-look review

by Charles Bramesco

Hirokazu Kore-eda’s lat­est, scored by the late Ryuichi Sakamo­to, is a dense, shape-shift­ing dra­ma that grows more scat­tered as it progresses.
Hands on Steinway piano keys, with feathery white hair in foreground.
Review

Ryuichi Sakamoto: Coda

by Lillian Crawford

Don’t miss this sen­si­tive and intu­itive por­trait of the icon­ic Japan­ese film composer.

4
Anticipation
4
Enjoyment
4
In Retrospect
A woman with a large, curly Afro hairstyle poses against a backdrop of a red sunset, snow-capped mountains, and a colourful cityscape. She wears a floral-patterned jacket and has her hands raised in a gesture. The image has a vibrant, psychedelic aesthetic.
Festivals

The best new music documentaries to look out for this year

by Patrick Gamble

Films about Bet­ty Davis, Ryuichi Sakamo­to and Mil­ford Graves were among the high­lights of the 15th edi­tion of IndieLisboa.