A heavy metal lover undergoes a face transplant in Małgorzata Szumowska’s biting, uneven social satire.
By Matt Thrift
Some of the strongest emerging voices in world cinema took centre stage at the Polish festival’s 18th edition.
By Anton Bitel
Marcin Wrona’s 2015 film Demon puts a modern twist on the Jewish legend of the dybbuk.
Polish director Agnieszka Holland returns with an enigmatic woodland-set murder mystery.
Polish director Bartosz M Kowalski’s Playground graphically depicts the murder of a toddler.
Agnieszka Smoczynska’s The Lure raises a blood-stained middle finger to the likes of The Little Mermaid and Splash.
Three titans of Polish cinema receive retrospective strands at this year’s celebration of Polish cinema old and new.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
