Pixar

Lightyear

By Hannah Strong

Pixar crash land with an underwhelming sci-fi spin-off focused on Toy Story's Star Commander Buzz Lightyear.

review

Turning Red

By Kambole Campbell

Domee Shi’s feature debut about a teenage girl with an unusual power is Pixar’s best film in years.

review LWLies Recommends

Luca

By Kambole Campbell

Pixar’s fish-out-of-water fable on the Italian Riviera takes its cues from vivid imagination of Studio Ghibli.

review

Pixar weaves a fantasy of Italian mer-boys in the first Luca trailer

By Charles Bramesco

A pair of friends must keep their amphibian secret from their harpoon-happy community.

Soul – first-look review

By Hannah Strong

Jamie Foxx is a jazz musician reckoning with the afterlife in Pixar’s best film in quite some time.

Pixar announces Luca, a coming-of-age adventure set on the Italian Riviera

By Charles Bramesco

The animation studio’s next feature-length film joins a pair of best friends for an “unforgettable summer”.

Death is Pixar’s next adventure in the Soul trailer

By Charles Bramesco

The latest animated escapade from director Pete Docter features the vocal stylings of Jamie Foxx.

Toy Story 4

By Hannah Strong

Woody, Buzz and co team up for one last time (probably) in a largely enjoyable sequel that sees Pixar retread old ground.

review

Bo Peep’s “feminist” makeover is a hollow gesture from Pixar

By Beth Webb

The return of the sheep-herding heroine in Toy Story 4 signals a new chapter for the studio – but has anything changed behind the scenes?

Incredibles 2 and the corporatisation of hope

By Henry Bevan

Superheroes don’t just exist to save the day, as Brad Bird’s animation sequel proves.

Incredibles 2

By Hannah Strong

Family remains very much at the heart of Brad Bird and Pixar’s animated superhero sequel.

review

Beyond Infinity: Lee Unkrich on the past, present and future of Pixar

By Hannah Strong

The co-director of Toy Story 2 and 3, Finding Nemo and Coco reflects on his two decades at the animation studio.

Coco

By David Jenkins

Pixar mine the theme of mortality for light-hearted frolics in this Mexican-set adventure.

review

Cars 3

By Elena Lazic

This latest Pixar sequel is a digitally-rendered blockbuster which celebrates the joys of the analogue world.

review

Pixar set to open experimental animated shorts department

By Amy Bowker

The studio aims to explore new creative visions through more radical storytelling.

Pixar’s Coco gets a charming first trailer

By Jack Godwin

The animation studio’s latest is inspired by the Mexican Day of the Dead.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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