Martin Scorsese

How dyslexia helps some of the biggest filmmakers to think differently

By Louise Conway

Recent studies have shown how people with dyslexia have enhanced abilities in originality, creativity, and reasoning. Could it be that movies can provide the perfect place to focus on the strengths of this different way of thinking?

Killers of the Flower Moon – first-look review

By David Jenkins

Martin Scorsese’s wistful remembrance of tragedies that befell the Osage nation is a film of high seriousness and low spectacle.

Martin Scorsese, Jonathan Glazer, and Wes Anderson lead the 2023 Cannes Film Festival lineup

By Charles Bramesco

The Competition selection also includes new works from Catherine Breillat and Todd Haynes.

Croisette wishes: 20 films we’d like to see at Cannes in 2023

By Charles Bramesco

Martin Scorsese, Wes Anderson, and Pedro Almodóvar number among the heavy hitters expected on the red carpet.

Roger Deakins: ‘With film, I used to be the first person to see a performance’

By Iana Murray

The veteran cinematographer on his explosive formative cinema experiences and shooting Sam Mendes’s moving drama, Empire of Light.

Personality Crisis: One Night Only — first-look review

By Charles Bramesco

New York Dolls frontman David Johansen takes the stage in Martin Scorsese's latest music doc.

50 films to look forward to for the rest of 2022

By Hannah Strong

Halfway through the year, we offer up 50 upcoming movies to keep on your radar.

Martin Scorsese will narrate a documentary extolling Powell and Pressburger’s genius

By Charles Bramesco

The directorial duo known as The Archers gave the world resplendent visions of fantasy like Black Narcissus and The Red Shoes.

Martin Scorsese’s Film Foundation is launching a virtual screening room for classic films

By Charles Bramesco

The new service will be free to all, showing choice cuts from Fellini, Huston, and many others.

Martin Scorsese and Jonah Hill will team up on a Jerry Garcia biopic

By Charles Bramesco

The portrait of the Grateful Dead frontman will be Scorsese's next directing gig after Killers of the Flower Moon.

Why excessive swearing is essential to Martin Scorsese’s The Departed

By Susannah Goldsbrough

Foul language and filthy humour characterise the cruel, cynical world of this hardboiled Boston-set crime-drama.

Brendan Fraser has joined the cast of Martin Scorsese’s upcoming western

By Charles Bramesco

As well as Killers of the Flower Moon, he’s booked a role in the new film from Palm Springs director Max Barbakow.

Martin Scorsese and Paul Schrader are making a series about Christianity

By Charles Bramesco

The “three-year” series will dramatise the little-adapted ‘Apocrypha’, the excised sections of the Bible.

Check out these rare photos from the making of Raging Bull

By Jay Glennie

A new book collects a wealth of archive material from Martin Scorsese’s 1980 masterpiece.

Jesse Plemons joins Martin Scorsese’s Killers of the Flower Moon

By Charles Bramesco

He’s poised to take over the lead role from Leonardo DiCaprio in the director’s 1920s crime western.

Pretend It’s a City is a wry love letter to pre-pandemic New York

By Madeleine Seidel

Fran Lebowitz and Martin Scorsese sit down for a chat about all things NYC in this engaging Netflix docuseries.

The 100 Best Films of the 2000s: 50-26

By Little White Lies

Our noughties ranking reaches the midway point, as Amélie, Oldboy and Spider-Man 2 all make the cut.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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