By Mark Asch
The new film from one of Romania's foremost cine-ironists, Radu Jude, is a glorious, poisonous, everything-in-the-pot treatise on the state of the world today.
In Leonor Teles's enigmatic second feature, spatial experimentation becomes geographic gap-bridging material.
Helena Wittman’s extraordinary seafaring anti-epic is a prime contender for the big prize at the 2022 Locarno Film Festival.
Debut director Julie Lerat-Gersant offers up a vivid character study of a pregnant teen who’s adamant to give up her baby.
Alexander Sokurov offers a collegial walking tour through limbo with Hitler, Mussolini, Stalin and Churchill. It’s completely mad.
The global pandemic seeped into this year’s programme in some unusual and surprising ways.