By Esmé Holden
Esmé Holden offers a heartfelt reflection on the highs and lows of her first time attending the Locarno Film Festival.
By Mark Asch
The new film from one of Romania's foremost cine-ironists, Radu Jude, is a glorious, poisonous, everything-in-the-pot treatise on the state of the world today.
In Leonor Teles's enigmatic second feature, spatial experimentation becomes geographic gap-bridging material.
Helena Wittman’s extraordinary seafaring anti-epic is a prime contender for the big prize at the 2022 Locarno Film Festival.
Debut director Julie Lerat-Gersant offers up a vivid character study of a pregnant teen who’s adamant to give up her baby.
Alexander Sokurov offers a collegial walking tour through limbo with Hitler, Mussolini, Stalin and Churchill. It’s completely mad.
The global pandemic seeped into this year’s programme in some unusual and surprising ways.
Two prizewinning films at the 2017 Locarno Film Festival – Mrs Fang and 3/4 – attempt to do just that.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
