Joshua Oppenheimer

The End – first-look review

By Mark Asch

Joshua Oppenheimer returns with an ambitious, post-apocalyptic musical whose thematic flights of fancy are always just a little too strident.

A new film uses re-enactment to tell the story of a bizarre social experiment

By Catherine Pearson

Marcus Lindeen’s documentary The Raft reunites the participants of a radical social study.

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design