By Lucy Peters
How the doc maestro turned his hand to (musical!) fiction in his compelling and singular new film, The End.
Joshua Oppenheimer returns with an ambitious, post-apocalyptic musical whose thematic flights of fancy are just a little too strident.
By Mark Asch
Joshua Oppenheimer returns with an ambitious, post-apocalyptic musical whose thematic flights of fancy are always just a little too strident.
Marcus Lindeen’s documentary The Raft reunites the participants of a radical social study.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
