By Mark Allison
Forty years ago, Roger Moore and Sean Connery duked it out at the box office as Octopussy and Never Say Never Again faced off on the big screen.
By Leila Latif
The British star of ear for eye on why the conversation around race needs to extend beyond the Black community.
With Daniel Craig out of the picture, our resident cartoonist makes a few suggestions for who could inherit the iconic tux.
Daniel Craig’s last dance as a Double-O agent brings the present chapter of the long-standing spy saga to a sentimental close.
By Mark Allison
In The Living Daylights and Licence to Kill, Dalton created the template for Daniel Craig’s hard-edged 21st century Bond.
James Bond is the big name, but the ramifications extend far beyond 007.
Our resident cartoonist addresses the impact of 007’s long-delayed latest escapade on the UK cinema industry.
By Mark Allison
With a new 007 and more progressive sexual politics, this film brought the series up to speed with the modern world.
Daniel Craig’s 007 will return to brick-and-mortar cinemas in November, by gum.
By Luís Azevedo
Our latest video essay breaks down the rhetorical device behind some of cinema’s most iconic dialogue.
New baddie Rami Malek will be joined by Ana de Armas and Billy Magnussen.
Whether the Oscar-winning actor will make use of his own teeth has yet to be specified.
By Mark Allison
Is Daniel Craig’s second Bond outing really the worst of the entire series?
The late actor was at his debonair best as James Bond in series highlight The Spy Who Loved Me.
By Amy Bowker
The Dunkirk director is rumoured to be next in line to helm the 007 franchise.
By Lara C Cory
The gold standard of British production has been home to everything from James Bond to Star Wars over the years.
A recent Spectre-inspired ceremony has been criticised for exploiting a millennia-old tradition.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
