The future of the long-running French film journal has been plunged into uncertainty.
A welcome re-release of Jacques Rivette’s second feature, a ferocious and lightly erotic takedown of organised religion.
By Matt Thrift
The director’s astonishing 1969 film was shown from the only known 35mm print in existence.
By Matt Thrift
Poland’s biggest arthouse extravaganza returns with a special tribute to Jacques Rivette.
We run down a clutch of the year’s finest DVD and Blu-ray purchases. Did your favourite make the cut?
By Adam Cook
The late French master’s first film, Paris Belongs to Us, is now available courtesy of the Criterion Collection.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
