Hugh Jackman

The Son – first-look review

By Hannah Strong

Despite boasting some big names, Florian Zeller's follow-up to The Father is a missed opportunity to tackle the weighty subject of teen depression.

Bad Education

By Hannah Strong

Hugh Jackman plays a tricksy teacher in director Cory Finley’s pitch-black classroom comedy.

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Bad Education – first look review

By Hannah Strong

Hugh Jackman is rotten to the core in Corey Finley's biting black comedy about public school embezzlement.

Missing Link

By Adam Woodward

Hugh Jackman’s intrepid explorer makes a startling discovery in Laika’s latest stop-motion treasure.

review

Capitol Gains: The dramatic allure of political campaign films

By Elena Lazic

From The Candidate to The Front Runner, Hollywood has a rich history of illuminating the electoral process.

The Front Runner

By Adam Nayman

If nothing else, this tawdry political drama proves that Jason Reitman is no Steven Spielberg.

review

The Front Runner – first look review

By Hannah Strong

Hugh Jackman makes headlines for all the wrong reasons in Jason Reitman’s biopic of would-be president Gary Hart.

The Greatest Showman

By Manuela Lazic

Hugh Jackman brings boundless energy and enthusiasm to this crowd-pleasing circus musical.

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Fancy winning one of these Logan IMAX posters?

By Little White Lies

All you have to do is answers the following five questions...

Hugh Jackman is playing Enzo Ferrari in Michael Mann’s biopic

By Jack Godwin

The Logan star will play the Italian auto entrepreneur in the director’s long-gestating drama.

What does Logan mean for the future of comic-book movies?

By Christopher Machell

Wolverine’s hyper-violent final bow suggests that audiences are ready for more mature superheroes.

Logan

By David Jenkins

As Wolverine, Hugh Jackman bows out in real style in this soulful revisionist comic book yarn.

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Hey Hollywood, let’s make more musicals!

By Jordan Brooks

Given La La Land’s runaway success, isn’t it time for a proper revival of this beloved genre?

Logan gets a lung-bustingly violent new trailer

By Adam Woodward

Wolverine is back for one last ride... and he’s bought a friend along with him.

Personal tragedy and trauma in the films of Denis Villeneuve

By William Carroll

The Canadian director’s latest, Arrival, explores intimate themes present in his earlier work.

Why The Prestige is the greatest trick Christopher Nolan ever pulled

By Daniel Seddon

Never has on-screen magic been so compelling as in the director’s now 10-year-old passion project.

How the X-Men franchise echoes The Usual Suspects

By Jonathan Bacon

The legacy of Bryan Singer’s 1995 masterpiece survives in his sprawling mutant odyssey.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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