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Vibrant pink hair, elaborate facial features, dark background.
Review

Medusa Deluxe

by Cheyenne Bart-Stewart

The cut­throat world of hair­dress­ing is the set­ting for this sparky mur­der mys­tery – a debut from Thomas Hardiman.

3
Anticipation
3
Enjoyment
3
In Retrospect
A woman lying on a couch, wearing a green dress, with her eyes closed and a pained expression on her face.
The Oscar Goes To...

Why Corsage deserves the Best Make-Up & Hairstyling Academy Award

by Alexandria Slater

Helene Lang and Maike Hein­lein smart­ly utilise Sis­si’s per­son­al styling to empha­sise the ways in which she was repressed and sub­se­quent­ly rebelled.
A group of people, some dressed formally, others in party attire, crowding around a doorway and interacting with each other.
Interviews

Jaime Leigh McIntosh: ‘We weren’t stuck in this idea of what the 1920s should look like’

by Melita Cameron-Wood

The head of the hair depart­ment on Damien Chazelle’s Baby­lon explains how the team defied con­ven­tion in order to cre­ate a fresh vision of the roar­ing twenties.
Colourful-haired woman having her hair styled by woman in leopard-print top.
Festivals

Medusa Deluxe – first-look review

by Jojo Ajisafe

The cut­throat world of hair­dress­ing is the set­ting for this sparky mur­der mys­tery – a debut for Thomas Hardiman.
A woman with dark hair and makeup looking directly at the camera.
Incoming

A coalition of actors wants to change how Hollywood sees hair

by Charles Bramesco

Front­ed by Ker­ry Wash­ing­ton, Zoe Kravitz, and Rosario Daw­son, the CROWN Act for­bids dis­crim­i­na­tion against nat­ur­al hair.
A man standing in a doorway of a dilapidated room, wearing a white t-shirt and dark trousers.
Incoming

Watch the hair-raising first trailer for refugee horror His House

by Charles Bramesco

A cou­ple from South Sudan set­tle in the UK, only to dis­cov­er that their new home is haunted…
Two young women with long dark hair, one wearing a black hooded jacket and the other a brown cardigan, standing in a dimly lit hallway.
In Praise Of

Blood, Hair and Pain: Ginger Snaps at 20

by Anna Bogutskaya

The direc­tor, screen­writer and stars of the cult Cana­di­an hor­ror reflect on its lega­cy as a mor­bid love let­ter to teenage girls everywhere.
Three people dressed in 1970s attire - a woman with long hair, a man with an afro, and a third person - sitting on a dirt path surrounded by autumn leaves.
In Praise Of

Let The Sunshine In: The queer legacy of Miloš Forman’s Hair

by Brian Quinn

Beyond its anti-war rhetoric, the Czech director’s ver­sion of the Broad­way musi­cal is a sto­ry of same-sex love.
A woman wearing a straw hat and a blue and white patterned dress holds up her hand in a celebratory gesture, against a backdrop of a brick wall and an illuminated sign.
Not Movies

Self-Made is a beautiful celebration of black hair and power

by Roxanne Sancto

Octavia Spencer is on scin­til­lat­ing form in this four-part drama­ti­sa­tion of the life of hair­care pio­neer Madam CJ Walker.
Man in black tuxedo holding two Oscars statuettes, smiling at the camera, against a red backdrop.
Incoming

At the Oscars, new rules for Netflix and international films

by Charles Bramesco

Stream­ing isn’t going any­where any time soon – and there’s a change in the Best For­eign Lan­guage Film category.