By Mark Asch
Joshua Oppenheimer returns with an ambitious, post-apocalyptic musical whose thematic flights of fancy are always just a little too strident.
Netflix rings in the new year with an austere World War Two espionage thriller from director Christian Schwochow.
Despite boasting a talented young cast, Sergio G Sánchez’s creepy chamber piece doesn’t add up to much.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
