7 results found
by Aimee Knight
The late doyenne of French cinema offers a personal guide through her treasured oeuvre.
by Adam Scovell
Paris’ Boulevard de l’Hôpital provides the setting for one of the most cherished endings in French cinema.
The decade following the Nouvelle Vague saw the emergence of progressive filmmakers like Chantal Akerman and Maurice Pialat.
by Ian Mantgani
The first lady of French cinema offers a final, typically fascinating self-portrait.
by David Jenkins
The loquacious goddess of French cinema reflects on her extraordinary career ahead of the release of her new film, Faces Places.
by Matt Thrift
Director Bertrand Tavernier waxes lyrical about the great and the good of French cinema in this wonderful documentary.
Two acting heavyweights of French cinema go head to head in this modest, rewarding character piece.
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