Elisabeth Moss is on showstopping form as a self-destructive punk singer in Alex Ross Perry’s manic mediation on fame.
A star-studded ensemble can’t save this latest adaptation of Chekhov’s famous play from mediocrity.
The situation hasn’t improved for Elisabeth Moss’ Offred in this gripping season opener.
Ruben Östlund’s agreeably bizarre fifth feature is an art world satire of ambitious vision.
By Lewis Gordon
The first season of Jane Campion’s crime drama offers a powerful critique of patriarchal values.
By Lewis Gordon
The hit dystopian series isn’t just about violence against women.
By Amy Bowker
From Mad Men to The Handmaid’s Tale, the American star never fails to impress.
This barbed satire of art world pomposity questions the core beliefs of civilised society.
By Dan Einav
The Square is expected to premiere at the 2017 Cannes Film Festival.
Must-see series coming your way next year including Taboo, American Gods and Stranger Things.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
