By David Jenkins
Eduardo Williams’ striking feature debut ruminates on life and leisure in a digital world.
By Matt Turner
Eduardo Williams’ intoxicating debut feature The Human Surge ponders just that.
Frames of Representation
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.