By Erik Nielsen
An affluent couple plot an audacious diamond heist in the Covid movie absolutely no one needed.
By Beth Webb
Doug Liman’s film exists as a perfect time capsule of youth at the end of a decade.
Doug Liman returns with a war-based theatrical three-hander about an injured US soldier being tormented by an Iraqi sharpshooter.
Doug Liman’s latest plays the slick, sliver-tongued chancer story for laughs.
This tricksy, time-looping caper acts as a telling metaphor for the repeated resurgence of its leading man, Tom Cruise.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
